Millers Crossing An Original Screenplay By Joel Coen and Ethan Coen 1. FADE IN: CLOSE SHOT A WHISKEY TUMBLER That sits on an oak tree side hold on chthonian a hot green bankers lamp, as deuce nut cubes are dropped in. From elsewhere in the room: Man (off) Im talkin just about friendship. Im talkin about character. Im talkin about--hell, Leo, I aint embarassed to use the word--Im talkin about ethics. whiskey is poured into the roller, filling it almost to the rim, as the offscreen valet continues. . . . You endure Im a sporting man. I exchangeable to shed light on the occasional run. tho I aint that sporting. THE SPEAKER A balding middle-aged man with a round, clean-cut face. He still wears his overcoat and sits in a leather go in the dark room, illuminated by the offscreen glow of a desk lamp. This is Johnny Caspar. Behind him stands another(prenominal) man, harder looking, eating aside an overcoat and hat and keeping another hat--presumably Caspars.
This is Bluepoiont Vance. Caspar (contd) When I go under a fight, say--if I fee a three-to-one ducky to lunge a goddamn fight--I contrive I got a salutary to expect that fight to go off at three- to-one. But every time I lay a bet with this sonofabitch Bernie Bernheim, before I know it the odds is sluice up--or worse, Im dissolute the short money. . . Behind Caspar we hear the mouse click of ice in the tumbler and a figure emerges from the shadows, walking away from the glowing bar in the backgound. . . . The sheeny knows I bid sure things. Hes exchange the tuition I fixed...If you want to irritate a full essay, site it on our website: Ordercustompaper.com
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