In his book Fear and Trembling, Søren Kierkegaard deals with the concept of stamp and the melodic theme of sacrifice, focusing particularly on the write up of Abraham and Isaac, as presented in the Bible. Abraham here is depicted obeying deity and abandoning brotherly norms ? the process through which he earns honor and glory as the father of faith. This is what Kierkegaard calls ?the teleological suspension of the estimable?, and concludes that faith is essentially conundrumical. The problem he wants to address is whether one is justified by suspending the ethical in favour of a high authority, God for example. In this canvas I willing present Kierkegaard?s understanding of faith as a paradox, whereby the particular is higher than the universal, and therefore demands a teleological suspension of the ethical. In localize to present the paradox of faith more accurately, I will outline and try Abraham?s story as presented in the book of contemporaries in the Bible. Fina lly, I will believe this story against ethics, pietism and social laws, and logically argue that Abraham does not deserve pay back as the father of faith, as the Bible asserts, but that he ought to be prosecuted and convicted of attempted murder. Kierkegaard?s concept of faith as a paradoxKierkegaard posits out tether possible styluss of homosexual cosmea superseding each other as follows: aesthetic, ethical and ghostly.
The aesthetic mode is found on sensory(a) pleasures; the ethical mode is based on social norms; and the religious mode is based on one?s stamp in God. Kierkegaard praises aesthetic and eth ical responses to life but maintains that th! ey do not free human beings from dread and despair. Consequently, human beings throttle to the religious mode of universe of discourse and establish a relationship with God that has no decisive evidence to be recommended. The relationship of an individual... If you want to get a full essay, parliamentary law it on our website: OrderCustomPaper.com
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