Running Head : Art amongst origination fightsYour NameHumanities 100Art Between the large(p) realism fightsJune 19 , 2008Professor s NameArt Between the slap-up conception WarsArt reflects the high fellowship in which it is produced and the time period between the capital World Wars was no exception . World War I end in nineteen eighteen and World II did non start until the end of nineteen forty- unmatched which left contact a twenty-three year span . During that time confederation in the States and atomic number 63 were quite different . The fill start Age , or br Roaring Twenties , and the bulky Depression defined society in the States slice by the early nineteen thirties , Hitler was again waging Germany against some(prenominal) of Europe . These extremes were visualised in the art of the time and reflecte d the extremes of dungeon conditions that both America and Europe faced during this period of timeWorld War was k at one timen at the time as The Great War because World War II had not happened yet , and slew around the world truly believed at its shoemakers last that it was the contendfarefare to end all wars . It was also the first modern war which left soldiers on both sides disillusioned because of the carnage that they had seen and the position that they had seen the mass destruction that these new weapons could produce . They knew that the world could right away be destroyed even though nuclear weapons had not yet come into existence . Now the artist moldinessiness reflect this disenchantment to others through his /her work . They did this by creating the movements of surrealism , cubism , expressionism , and fauvism . for each one one of these movements reflect a different feeling that was ordered at that timeSurrealism reflected the disconnection that those who had experienced World War I . They had ! seen destruction that was unlike anything they had ever seen before . But if the watered-down definition suggests nothing more than a general , dreamlike outlandishness , what does that mean for art (Schwendener 2006 .
This meant that the world would have to be render in a way that was different than it had been in the ultimo . The things that society now sees as normal , such as living in fear of attacks and weapons of mass destructions , were new , unusual and weird at the time . Therefore art moldiness portray this feeling to the generations to comeSurrealism in this context functions mostly as a durable term for describing the creative mash-up of visual and real(a) non sequiturs Strange juxtapositions , abstract and vaguely sexual imagery and unnumerable undertakes on Freud s concept of the uncanny appear in kit out and boodle by both traditional Surrealists , like Salvador Dali , Reny Magritte , Joan Miru , Max Ernst , Yves Tanguy and Hans Bellmer , and the coeval track , which includes Mr . Scharf , Hans Breder , Ed Ruscha , Barnaby Furnas , Steve DiBenedetto and Albert Oehlen (Schwendener , 2006Therefore , the strange had to become commonplace in artCubism was another(prenominal) form of art that was reflective of the society which spawned it . It started before America entered World War I , but while...If you want to take a crap a full essay, order it on our website: OrderCustomPaper.com
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