Purple Robe and Anemones :: Essays Papers

Purple Robe and AnemonesHenri Matisse, the leader of the Fauvist movement and pro of aesthetic order, was born in Le Cateau-Cambresis in northern France on December 31, 1869. The son of a middle-class family, he studied and began to usage law. In 1890, however, while recovering slowly from an attack of appendicitis, his mother bought him a paint set and he became intrigued by the practice of painting. In 1892, having disposed up his law career, he went to Paris to study art formally. His first gear teachers were academically trained and relatively conservative, Matisses own early fashion was a conventional form of naturalism, and he made many copies after the old masters. He also studied more contemporary art, specially that of the impressionists, and he began to experiment, earning a reputation as a rebellious segment of his studio classes. Matisses true artistic liberation, in terms of the commit of color to render forms and organize spatial planes, came about first by me ans of the influence of Gauguin, Cezanne and van Gogh, whose work he studied closely. Then, Matisse encountered the pointillist painting of Edmond encompass and Signac. By 1905 he had produced some of the boldest color images ever created. His images of dancers, and of human figures in general, convey expressive form first and the particular details of frame only secondarily. Although intellectually sophisticated, Matisse always emphasized the importance of instinct and suspicion in the production of a work of art. He argued that an artist did not have complete control over color and form instead, colors, shapes, and lines would survey to dictate to the sensitive artist how they might be employed in relation to one another. He often emphasized his joy in abandoning himself to the play of the forces of color and design. He explained the rhythmic, but distorted, forms of many of his figures in terms of the working out of a total pictorial harmony. In 1937, Matisse asked his model Lydia Delectorskaya to pose in a purple robe, for a painting he later named Purple Robe and Anemones. When Matisse started the painting he had no end of painting a portrait that looked like a photograph and quickly admitted that his paintings were not faithful re-creations of reality. He believed that taking liberties with reality allowed him to convey the really essence of his subject. When accused of painting unrealistic images of women, he explained, I do not create a woman, I make a picture.